Dreamcycles
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Copyright 2004, Joe Wiedemann (Orchestronics)
Duration 7:55.
Scored for: Synthesizer (with one-button patch/program change), Flutes, Oboes, English Horn, Clarinets, Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Timpani, Glockenspiel, Violins I-II, Violas, Cellos, Double Bass.
Duration 7:55.
Scored for: Synthesizer (with one-button patch/program change), Flutes, Oboes, English Horn, Clarinets, Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Timpani, Glockenspiel, Violins I-II, Violas, Cellos, Double Bass.
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The sleepy intro droops into a slightly dissonant chord, which signals the beginning of the dreams. If you've ever noticed someone twitching as they sleep, you'll understand what comes next. Just as sleep has its cycles, dreams stretch and compress, morph and change. A synthesizer adds a touch of surrealism that reminds us "it's only a dream." As an integrated player in the orchestra, the synth adds color and timbre, shining through on its own only occasionally. Various scenarios play out, until the cycle ends with that familiar dry-sounding mechanical alarm clock.




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Aaron Alon's music has been performed around the world by such acclaimed musicians as Leone Buyse, Ian Davidson, Andrea Ceccomori, Catherine Branch, Daniel Neer, Michael Fennelly, Mark Whatley, and new music groups Sounds New and the Vientos Trio. His works have been included on three labels and awarded numer…
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