Composers
 
Featured Composer
Allen Brings

A native of New York City, Allen Brings received a Bachelor of Arts degree magna cum laude from Queens College and a Master of Arts degree from Columbia University, where he was a Mosenthal Fellow and a student of Otto Luening, and a doctorate in theory and composition from Boston University, where he was …read more»
 
Shopping Cart
0 items
 
Recently Added
Scores added in the past 30 days:
0
Total Scores Available: 343
 

Five Bagatelles (parts)

Five Bagatelles (parts)
Click to enlarge
Price: $16.50
Availability: In Stock
Added to NewMusicShelf: November 21, 2010
Score ID: B34-E1993-1bPDF
Composer: Brings, Allen
Performing Rights Society: ASCAP
Average Rating: Not Rated
Dimensions: 8.5 x 11 in.
Format: PDF Only

Qty: 1     Add to Cart
Share/Bookmark




Instrumentation: mixed woodwinds and strings and piano

Composed: 1993

Duration: ca. 7.5 min.

Score: 32 pp.

Parts: 40 pp.

Website: library.newmusicusa.org/allenbrings

Five Bagatelles, Mvt. 1

Five Bagatelles, Mvt. 5

Write a Review
Your Name:


Your Review: Note: HTML is not translated!

Rating: Bad            Good

Enter the code in the box below:

Five Bagatelles (parts)
Click to enlarge
Five Bagatelles (parts)
Click to enlarge
Like the court jester of old, who, as tradition has it, could tell the king what no one else would dare to simply by using wit and humor, the composer who calls pieces "bagatelles" is implying that they are little more than "trifles" when in fact he is merely allowing himself to do things in them that he would not ordinarily do in another type of composition. In my Five Bagatelles, for example, there is often doubt about what is intended to be taken "seriously" and what is not. Curious juxtapositions may occasionally upset listeners' customary responses, and sugar may now and again be mixed with a little vinegar or salt.

Five Bagatelles grew out of a need sometimes experienced by ensembles devoted to the performance of new music in small colleges where players of some instruments may not always be available and where therefore a director might like to be able to substitute one instrument for another, hence the designation in the title, "for woodwind and/or string instruments." The technical demands made on the players are also comparatively restrained, and what difficulties remain do not persist in any piece for more than a few measures at a time. The pieces do, however, make demands on the players' musicianship that may exceed those made on their techniques.