Five Bagatelles (parts)
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Instrumentation: mixed woodwinds and strings and piano
Composed: 1993
Duration: ca. 7.5 min.
Score: 32 pp.
Parts: 40 pp.
Website: library.newmusicusa.org/allenbrings
Composed: 1993
Duration: ca. 7.5 min.
Score: 32 pp.
Parts: 40 pp.
Website: library.newmusicusa.org/allenbrings
Five Bagatelles, Mvt. 1
Five Bagatelles, Mvt. 5
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Like the court jester of old, who, as tradition has it, could tell the king what no one else would dare to simply by using wit and humor, the composer who calls pieces "bagatelles" is implying that they are little more than "trifles" when in fact he is merely allowing himself to do things in them that he would not ordinarily do in another type of composition. In my Five Bagatelles, for example, there is often doubt about what is intended to be taken "seriously" and what is not. Curious juxtapositions may occasionally upset listeners' customary responses, and sugar may now and again be mixed with a little vinegar or salt.
Five Bagatelles grew out of a need sometimes experienced by ensembles devoted to the performance of new music in small colleges where players of some instruments may not always be available and where therefore a director might like to be able to substitute one instrument for another, hence the designation in the title, "for woodwind and/or string instruments." The technical demands made on the players are also comparatively restrained, and what difficulties remain do not persist in any piece for more than a few measures at a time. The pieces do, however, make demands on the players' musicianship that may exceed those made on their techniques.
Five Bagatelles grew out of a need sometimes experienced by ensembles devoted to the performance of new music in small colleges where players of some instruments may not always be available and where therefore a director might like to be able to substitute one instrument for another, hence the designation in the title, "for woodwind and/or string instruments." The technical demands made on the players are also comparatively restrained, and what difficulties remain do not persist in any piece for more than a few measures at a time. The pieces do, however, make demands on the players' musicianship that may exceed those made on their techniques.
| Website: | http://amc.net/allenbrings |
| Email: | miramusic@aol.com |




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A native of New York City, Allen Brings received a Bachelor of Arts degree magna cum laude from Queens College and a Master of Arts degree from Columbia University, where he was a Mosenthal Fellow and a student of Otto Luening, and a doctorate in theory and composition from Boston University, where he was …
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