Composers
 
Featured Composer
Federico Garcia

Federico Garcia was born in Bogotá, Colombia, in 1978. His musical training began in 1986, and in 2001 he earned a B.A. in Composition from the Pontificia Universidad Javeriana in Bogotá, where he studied piano with Radostina Petkova, and composition with Gustavo Parra and Harold Vásquez …read more»
 
Shopping Cart
0 items
 
Recently Added
Scores added in the past 30 days:
0
Total Scores Available: 343
 

Suite for Solo Piano

Suite for Solo Piano
Click to enlarge
Price: $2.99
Availability: In Stock
Added to NewMusicShelf: August 6, 2011
Score ID: M80-S2008-PNO
Composer: McConnell, Matthew
Performing Rights Society: ASCAP
Average Rating: Not Rated
Dimensions: 8.5 x 11 in.
Format: PDF Only

Qty: 1     Add to Cart
Share/Bookmark




Solo Piano, 2008, 9 Pages, 6 Minutes, http://www.matthewmcconnell.net

Write a Review
Your Name:


Your Review: Note: HTML is not translated!

Rating: Bad            Good

Enter the code in the box below:

Suite for Solo Piano
Click to enlarge
Suite for Solo Piano
Click to enlarge
Suite for Solo Piano (2008) consists of three short pieces. The first, Gestures, was my attempt to musically depict various physical motions made by people. I tried to capture everything from the shrugging of one's shoulders to hair flipping. None of the gestures are marked in the score, since I want both the performer and audience to be active participants in imagining which various "gestures" could possibly correspond to each musical gesture. Little Minuet is dedicated to Arnold Schoenberg (1874-1951) and employs his 12-tone method. The rhythms suggest a Viennese minuet. The piece is also a strict canon by inversion. Resonances explores ways of enabling the piano to act as a "resonant space" wherein musical events spinning out from various combinations of tones become enhanced by the sympathetic vibrations of unarticulated piano strings. Resonances requires the performer to have a friend assist in playing the final few chords since they span too great a registral distance for one pianist to play as indicated without resorting to arpeggiation.