Frank J. Oteri is a composer and music journalist based in New York City whose syncretic compositional style has been described as “distinctive” in The Grove Dictionary of American Music. His compositions include: Fair and Balanced, a saxophone quartet in quartertones premiered and recorded by the PRISM Quartet; Imagined Overtures, for rock band in sixth-tones recorded by the Los Angeles Electric 8; Love Games, settings of poems by Elizabethan sonneteer Mary Wroth premiered at SubCulture by the Young People’s Chorus of New York City conducted by Francisco Núñez; and Versions of the Truth, a 12-song cycle based on the poetry of Stephen Crane for dual-voiced singer and piano commissioned by the ASCAP Foundation Charles Kingsford Fund and premiered by Phillip Cheah and Trudy Chan (The Cheah Chan Duo). MACHUNAS, Oteri’s performance oratorio created in collaboration with Lucio Pozzi and inspired by the life of Fluxus-founder George Maciunas, premiered under the direction of Donatas Katkus during the Christopher Festival in Vilnius, Lithuania in 2005. Other interpreters of his music include pianist Sarah Cahill, harpsichordist Rebecca Pechefsky, guitarists Dominic Frasca and David Starobin, the Ray-Kallay Duo, Pentasonic Winds, Sylvan Winds, Magellan String Quartet, the Locrian Chamber Players, and Central City Chorus. In addition to his compositional activities, Oteri is the composer advocate at New Music USA and the co-editor of NewMusicBox, a web magazine he founded which has been online since May 1999. An outspoken crusader for new music and the breaking down of barriers between genres, he has written for numerous publications and is also a frequent radio guest and pre-concert speaker. Oteri is a graduate of the High School of Music and Art and holds a B.A. and an M.A. (in Ethnomusicology) from Columbia University where he served as Classical Music Director and World Music Director for WKCR-FM. In 2007, he was the recipient of ASCAP’s Victor Herbert Award.