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Deu-la-deu – [Revised edition]

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Suite for Guitar (2008)

Description

Duration

20 min.

Instrumentation

Guitar

Movements

1-Assédio à fortaleza / Harassment of the fortress [3' 02"]
2-A fome impinge à rendição / Hunger inflicts on the surrender [3' 56"]
3-Oferta de pães ao inimigo / Offering bread to the enemy [3' 31"]
4-Desistência do cerco / Desistance of the siege [5']
5-Triunfo incruento da estratégia / Strategy's unbloody triumph [3' 23"]

Program Notes

Rudesindo Soutelo
Deu-la-deu (2008)
for Guitar [ca. 20′]
Première
: 6-X-2008. Centro Galego de Arte Contemporânea (CGAC), Santiago de Compostela (Galiza). Sessão inaugural da AGLP. Int.: Isabel Rei.
ISWC: T-302.410.269-6
ISMN: 979-0-9007541-6-5
This work was written expressly to celebrate the birth of the Galician Academy of the Portuguese Language and was premiered in its Inaugural Session. The five movements evoke a history of resilience in parallel with the fight against the linguistic subjugation of Galiza. The complexes [6,3], [9,7] and [8,7] reconcile the general genetics of the work. In addition, the first four movements have another differentiating complex. Thus, the first movement is structured with the complex [7,1,9], the second with [1,4,7,1,8], the third integrates [6,2,4,2,7], and the fourth incorporates [11,2,5]. The fifth movement uses the common complexes and begins with a war anthem against the invader to finish with the fusion of the hymns of Galiza and Portugal.
Esta obra foi escrita expressamente para celebrar o nascimento da Academia Galega da Língua Portuguesa, e estreada na sua Sessão Inaugural. Os cinco andamentos evocam uma história de resiliência em paralelo com a luta contra a subjugação linguística da Galiza. Os complexos [6,3], [9,7] e [8,7] conciliam a genética da obra para além de que os quatro primeiros andamentos têm, ainda, um outro complexo diferenciador. Assim, o primeiro estrutura-se com o complexo [7,1,9], o segundo com [1,4,7,1,8], o terceiro integra o [6,2,4,2,7], e o quarto incorpora o [11,2,5]. O quinto andamento utiliza os complexos comuns e começa com um hino de guerra contra o invasor para finalizar com a fusão dos hinos da Galiza e Portugal.

Rudesindo Soutelo

New editions revised and corrected by the composer, including works published for the first time.

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